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Venice Biennale | Falk Richter | The Earth Shakes: DRESDEN

The Earth Shakes (La terra trema), the Neorealist masterpiece by Luchino Visconti, is the title chosen by Àlex Rigola (director of the Venice Biennale Teatro), which embodies the meaning of the 7 workshops conducted by Christiane Jatahy, Antonio Latella, Jan Lauwers, Fabrice Murgia, Milo Rau, Falk Richter, Agrupación Señor Serrano with the actors selected for the Biennale College. Each of the 7 directors must choose as the title and theme for their workshops one of the many geographical areas in crisis in our own time. The workshops will end on the last day of the Festival on August 9th, with the presentation to the public of a sequence of performances that will involve various locations in the city of Venice.

Our workshop presentation Falk Richter | The Earth Shakes: DRESDEN – IN SEARCH OF A EUROPEAN IDENTITY

Together with Berlin-based, Israeli choreographer Nir de Volff/Total Brutal & Schaubühne Berlin dramaturg Nils Haarmann

In today’s modern globalized world, conservative models of life, relationships, and identities are questioned and re-defined by the majority. Western societies seem to be giving up more and more of their traditional, normative ways of belonging, national and religious beliefs, ideologies, languages, cultures, gender and sexual identities. People are beginning to experiment more and more, and explore what a family in 2015 could look like, explore what heritage and home means when you live between different cultures, and explore how you define yourself as a man or a woman, while new reactionary and right-wing parties and their spokesmen and -women aggressively propagate a simple, hetero-normative, repressive, patriarchic white-dominated conservative society, which conflicts with the every day life experiences of most people in Western society in the year 2015. Dresden, capital of the German state of Saxony, the only Catholic capital in Prussia, baroque town, that was completely destroyed in WWII, reconstructed after the Reunification and today one of the most dynamic and international municipalities of the former GDR, yet haunted by a new rise of right-wing ideology, culminating in large demonstrations against the so-called “Islamization of the West” is an emblematic place in Germany for these new reactionary forces.

How do we define our identity and our values today outside these trembling concepts? Where could the search for a new, more complex, European identity begin?

The individual personal freedom of choosing where to best fit in is one of the promises of our new world. The struggle to find a base, a relationship, a family, or simply a place of belonging in all these different choices and possibilities is one of its challenges. At the same time, reductionist senses of belonging continue to be misused for political purposes, to discriminate, preach hatred, oppress minorities, or even to kill. All of the Western societies who, on the one hand, experience liberty, are seeing the rise of reactionary, extreme-right wing parties, institutions, and spokesmen and women, who are against the European Union, fight against sexual and cultural diversity. These groups want to go back to ideologies of nationalism, they try to re-install traditional religious values, and seek simplistic definitions of what a relationship, a family, and the power structure between men and women should look like, and how a man and a woman should act and behave. What is a “real” man? What is a “real” women? What is a “family”?

Where do I fit in? Where do I belong? Who do I refer to when I talk of “I”. Who am “I”? To whom, or to what does this “I” belong?

Sunday 9th Augut at 4:45 / 5:45 / 6:45 pm

Teatro LA FENICE

Campo San Fantin, 1965, 30124 Venezia

 

MORE INFO

 

 

 

DLS-4-Edition-Viersen-09-foto_Ursula-Kaufmann

FESTIVAL TANZ NRW 2015 !!!

 

For the fifth time, nine partners and twelve venues have teamed up to present this festival dedicated to dance in and from North Rhine-Westphalia in eight cities. The biennial platform tanz nrw is a coalition of dance producers from NRW interested in increasing both regional and international awareness of the NRW dance scene.

Artists from different generations – new faces and famous names alike – will present their latest choreographic projects here. This year’s tanz nrw programme puts 17 artistic positions up for discussion that signify various experiences and ways of thinking. They examine reality in its relationship to physicality, devote themselves to pressing issues or reflect upon the underlying paradigms of society and art production.

I have the pleasure to be performing with the Ben J. Riepe Kompanie on the following shows:

DER LETZTE SCHREI – 3. Edition (PACT Zollverein/ Essen)
DER LETZTE SCHREI – 4. Edition (Generatorenhalle/ Viersen)

WHITE VOID SERIES: Im Nebel – Ein Raum (Alte Feuerwache/ Kölln)

 

DER LETZTE SCHREI:

The expression “Der letzte Schrei” (“the Dernier Cri”) comes from the world of fashion – it is a reference to and a promise of a life full of glitz and glamour, a life in the moment. When taken literally, however, it means the opposite: the end. Death. The last cry to ring out before silence prevails. In theatre, the human body poses the centre of art and reality. It is used by dancers as a tool. In the fashion industry, it is celebrated. Stylised into an object of desire, it permeates our thoughts as a surface upon which we project all of our ideals and aspiration. We use it to create and revise identities. It rebels against our preconceptions. It is vulnerable. And finite.
As a sonorous, ornamental work of choreography, each edition of “Der letzte Schrei” plumbs the boundaries – beginning with the performance space – between the genres anew: Visual art with people, perhaps, or musical theatre with dancers? Or a comprehensive choreographic moment comprised of movement, bodies, objects and sound?

The Ben J. Riepe Kompanie will present the 3rd edition of the project as a stage version at PACT Zollverein.
In the city of Viersen, the venue Generatorenhalle, a multifunctional space whose exact purpose defies categorisation, will become a key protagonist in the formation of bodily object-based tableaus.

Ben J. Riepe studied dance and choreography at Essen’s Folkwang University. He has worked for the ensemble Neuer Tanz in Düsseldorf in addition to serving as a guest performer in Pina Bausch’s ensemble Tanztheater Wuppertal. The Ben J. Riepe Kompanie was founded in 2004. In its most recent works, the Düsseldorf-based choreographer has engaged in intense explorations of exhibition spaces that allow for different viewing and movement dynamics.

MANAGEMENT, CHOREOGRAPHY / Ben J. Riepe
COMPOSITION / Timo Kreuser
COSTUME / Anna Kleihues
OBJECTS / Mithu Sen
TECHNICAL DIRECTION / Dimitar Evtimov
PERFORMERS / Lenah Flaig, Simon Hartmann, Jbid Hatschaduryan, Rosabel Huguet, Sudeep Kumar Puthiyaparambath, Daniel Ernesto Müller, Kathrina Wilke, Danilo Tesi
PRODUCTION / Ben J. Riepe Kompanie zum 25. Jubiläum der  Kunststiftung NRW
CO-PRODUCTION / PACT Zollverein in Kooperation mit dem Düsseldorfer Schauspielhaus
FUNDED BY / Kunststiftung NRW, Ministerium für Familie, Kinder, Jugend, Kultur und Sport des Landes NRW, Kulturamt der Landeshauptstadt Düsseldorf, Kunst- und Kultur Stiftung der Sparkasse Düsseldorf
SUPPORTED BY / Goethe-Institut/Max Mueller Bhavan

 

WHITE VOID SERIES: Im Nebel – Ein Raum

What makes a good atmosphere? How can a space develop its own temperament, and who gets caught up in its vibes? Since 2013 the Ben J. Riepe Kompanie has used its “White Void Series” to experiment with moving arrangements that perceive choreography as a compositional process comprised of objects, bodies, sound and atmosphere. Neither an exhibition nor a performance, it generates landscapes in time and space, powerful imagery and music, silhouettes in the fog. The dissolution of the familiar, the generation of utterly new realms of experience – this evening has much in store. Dancers, singers and unexpected guests invite audiences to take a momentary step beyond the familiar.

CHOREOGRAPHY, CONCEPT / Ben J. Riepe
IN COLLABORATION WITH / Lenah Flaig, Simon Hartmann, Daniel Ernesto Müller Torres, Jonathan Auth, Rosabel Huguet, Sudeep Kumar Puthiyaparambath,
Hasti Molavian, Carolina Rüegg, Kathrina Wilke, Emily Dilewski
PRODUCTION / Ben J. Riepe Kompanie
CO-PRODUCTION / Theaterfestival FAVORITEN 14
FUNDED BY / Kunststiftung NRW, Fonds Darstellende Künste, Stiftung Kulturhauptstadt RUHR.2010, Ministerium für Familie, Kinder, Jugend, Kultur und Sport des Landes NWR
THANKS to PACT Zollverein

 

Check all the infor here!!!

Festival Tanz NRW 15

Ben J Riepe Kompanie

 

Photos by Ursula Kaufmann

by arno declair

Premiere “Oedipus der Tyrann” by Romeo Castellucci

Oedipus the Tyrant

by Sophokles/Friedrich Hölderlin
Direction: Romeo Castellucci

A plague is laying waste to the land. King Oedipus sends his co-regent Creon to consult the oracle about lifting the curse and summons the seer Tiresias. But all the signs always lead back to himself: he is supposed to have killed the previous king, Laius, and thus provoked the punishment of the gods. Incensed, Oedipus suspects a plot by Creon and Tiresias until evidence is brought before him which unmistakably proves that he himself is Laius’ son, who slayed his father and married his own mother, Jocasta. Upon learning the truth, Jocasta hangs herself in the palace. Oedipus gouges out his eyes with her hairclips.

For the third time after »The Four Seasons Restaurant« (2012) and »Hyperion. Letters of a Terrorist«, which was his first work in German at the Schaubühne in 2013, Romeo Castellucci takes a poetic text by Hölderlin as the basis of a theatre production.Again, Castellucci has women interpret the text by Hölderlin, whom he regards as a »quintessentially female poet«. He approaches the Oedipus material from the greatest possible distance, helped in no small way by the strangeness of Hölderlin’s frequently drama-disabling language, in order to cast a new light on this »prototype of tragedy« and to lay bare the archetype of familial and sexual trauma and taboo.

Stage and Costume Design: Romeo Castellucci
Artistic Collaboration: Silvia Costa
Collaboration Stage Design: Mechthild Feuerstein
Music: Scott Gibbons
Video: Jake Witlen
Dramaturgy: Piersandra Di Matteo, Florian Borchmeyer
Light Design: Erich Schneider
Répétiteur: Timo Kreuser
Translator: Nora Hertlein

With: Bernardo Arias Porras, Iris Becher, Jule Böwe, Rosabel Huguet, Ursina Lardi, Angela Winkler

Extras: Malene Ahlert, Amelie Baier, Ursula Cezanne, Sophia Fabian, Eléna Fichtner, Margot Fricke, Eva Günther, Rachel Hamm, Andrea Hartmann, Annette Höpfner, Nadine Karbacher, Sara Keller, Pia Koch, Feline Lang, Marion Neumann, Monika Reineck, Vanessa Richter, Helga Rosenberg, Ria Schindler, Janine Schneider, Regina Törn, Christina Wintz

Solists: Sirje Aleksandra Viise, Eva Zwedberg

PREMIERE the 6th of March, 20h

Schaubühne am Lehniner Platz

Kurfürstendamm 153
10709 Berlin
Tel +49.30.890020

More dates 7th, 9th, 10th, 26th, 27th, 30th, 31st of March

Read more about the production in an essay by Joseph Pearson: Violence is what you don’t expect

More info and tickets Berliner Schaubühne

 


 

 

 

by roger rossell

Theaterfestival FAVORITEN 2014

Ben J. Riepe: WHITE VOID #14

Showings

25.10.2014, 18:30 – 23:00
26.10.2014, 12:00 – 19:00 | 19:00h Dinner*
27.10.2014, 14:00 – 22:00
28.10.2014 closed
29.10.2014, 14:00 – 23:00
30.10.2014, 14:00 – 19:00 | 19:00h Dinner*
31.10.2014, 12:00 – 22:30
01.11.2014, 12:00 – 22:00 | 19:00h Farewell dinner*

 *Choreographed dinner with special hosts | Duration approx 2h | contribution fee | reservation required

WHITE VOID # 14 opens up a world of experience of choreography, sculpture, performance and installation in the middle of events at the festival. Beyond the familiar and the proven, the world of experience takes us into the ephemeral moment. In a daily changing, polyphonic parcour on the upper galleries of the MAO, the audience is invited to discover the rapture of their own selves and to transcend the boundaries between inside and outside together. Silent and at the same time radical.

Choreography, Conception: Ben J. Riepe / In cooperation with: Lenah Flaig, Simon Hartmann, Daniel Ernesto Müller Torres /
With: Izaskun Abrego, Jonathan Auth, Emily Dilevski, Brigitte Düker, Benjamin Hoffmann, Brigitte Hofmann, Rosabel Huguet, Inga Isele, Margit Koch, Rita Lynen, Sandeep Mehta, Niko Moddenborg, Hasti Molavian, Gisela Pöpping, Sudeep Kumar Puthiyaparambath, Helga Riedel, Ben J. Riepe, Roger Rossell, Carolina Rüegg, Agnes Schmidt, Felix Schmidt, Sabina Stücker, Kathrina Wilke.

„WHITE VOID #14“ is a Production of Ben J. Riepe Kompanie in Coproduction with the Theaterfestival FAVORITEN 2014.

Funded by: Kunststiftung NRW, Fonds Darstellende Künste, Stiftung Kulturhauptstadt RUHR.2010, Ministerium für Familie, Kinder, Jugend, Kultur und Sport des Landes Nordrhein-Westfalen.
Thanks to: PACT Zollverein

Tickets:

Tel.: 0151 – 71354172

FREIKARTEN@FAVORITEN2014.DE

MAO, Ehemaliges Museum am Ostwall
Ostwall 7
44135 Dortmund

more info!!!

 

 

 

 

 

by ben.j riepe

Internationale Tanzmesse 2014

 Ben. J Riepe Kompanie

Der letzte schrei _ 2° edition

Fashion: the word evokes beauty and artificiality, blossoming and decay. Ephemeral as it is, it can even warn us of death. This at least is Ben J. Riepe’s artistic hypothesis for his cyclical work “All the Rage“, the undertitle to the second edition of which is called “artists are alive”. The choreographer has a reputation for being a cool aesthete and this work is no exception, for more than ever he strains all the boundaries of form. His choreography is notable for its provocative poetry somewhere between drama and irony, rooted on the borders of bodies and sculpture, space and movement, dance, music and the pictorial arts.

This work was commissioned to celebrate the 25th anniversary of the NRW Arts Foundation In cooperation with the internationale tanzmesse and the Kunsthalle Düsseldorf.

Thursday 28.8. – 21:00
Kunsthalle Düsseldorf
Grabbeplatz 4 – Düsseldorf
€ 18,- (13,-)

more info!!!

 

Photos by Roger Rossell

DLS_June2014_UrsulaKaufmann30

PREMIERE at the Düsseldorfer Schauspielhaus

DER LETZTE SCHREI
Ben J. Riepe Kompanie
PREMIERE
 
June 27, 2014 // 8pmJune 28, 2014 // 8pmJune 29, 2014 // 6pm

 

AT Düsseldorfer Schauspielhaus (Central)

“Der letzte Schrei“ produced by the Ben J. Riepe Kompanie in celebration of the 25th anniversary of the Kunststiftung NRW, co-produced by PACT Zollverein Essen and in cooperation with the Düsseldorfer Schauspielhaus.

Funded by: Kunststiftung NRW, Ministerium für Familie, Kinder, Jugend, Kultur und Sport des Landes Nordrhein-Westfalen,

Kulturamt der Landeshaupstadt Düsseldorf and Kunst- und Kultur Stiftung der Sparkasse Düsseldorf

Supported by Goethe-Institut/Max Mueller Bhavan

With

Lenah Flaig

Simon Hartmann

Jbid Hatschaduryan

Rosabel Huguet Dueñas

Sudeep Kumar Pathiyaparambath

Daniel Ernesto Müller Torres

Kathrina Wilke

Danilo Tesi

Direction

Ben J. Riepe

Stage

Mithu Sen

Costumes

Anna Kleihues

Music

Timo Kreuser

Choreography

Ben J. Riepe

 
 
Tickets & more info
 
 

 
 
Der Letzte Schrei

›DER LETZTE SCHREI‹ // Ben.J Riepe Kompanie

 

The ensemble surrounding the Düsseldorf based choreographer Ben J. Riepe was founded in 2004. Since then it created various stage choreographies, performances, installations, film- and video work, which have been successfully shown internationally. In the last years the company toured in Poland, India, Bangladesh, the Netherlands and France and was awarded with numerous prices.

The Ben J. Riepe company exists of several permanent dancers and project wise collaborators from the fields of dance, music/composition and costume as well as installation and visual arts. Since 2010 the Ben J. Riepe company is running its own studio space in Düsseldorf, where current productions are rehearsed, training takes place and artistic research is represented.

The work of Ben J. Riepe is characterized by a strong and provocative poetic, between drama and irony that is interviewing beauty with critical statements. Choreography becomes more than a beautiful arrangement of moving bodies on stage and the company is pushing those boundaries of contemporary dance with every new work. Ben J. Riepe has developed his own vocabulary of dance and movement that searches consequently for new aesthetics and ways of expression; digging deeper in our consciousness and testing the edges of abstract but touching creations.

 

Ben J.Riepe is Affiliated Artist at Pact Zollverein during the 2014 and the 11th and the 12th of April we are presenting a performative installation on the theme of the nascent production “Der Letzte Schrei ” / ” The Dernier Cri”

 

PACT Zollverein, Essen

11th + 12th of April 2014

7pm

 

›DER LETZTE SCHREI‹ ist ein Nachbild, eine Erinnerung an Schönheit und Künstlichkeit, an Blüte und Zerfall. Der Titel, versteht man ihn als geflügeltes Wort, gehört in die Welt der Mode – dort meint und verspricht er das schrille Leben, den Moment. Wörtlich genommen verkehrt er sich ins Gegenteil: Das Ende. Der Tod. Der letzte Laut vor der Stille.
Wie in den Vorgängerwerken der Ben J. Riepe Kompanie steht auch hier der Körper im Zentrum. Formgrenzen werden noch konsequenter strapaziert als bisher: ›DER LETZTE SCHREI‹ ist lokalisiert an den Rändern von Körper und Skulptur, Raum und Bewegung, Tanz, Musik und Bildender Kunst.

 

More info here!!

Ben. J Riepe Kompanie

Pact Zollverein

 

 

by arno declair

Théâtre de la Ville, Paris!!

 

Six amazing nights performing at “Théâtre de la Ville” with the sublime version of “Death in Venice” directed by Thomas Ostermeier. The public reaction was breathtaking, I’m still shaking…

Thanks so much Paris!!!!!

Here some reviews:

La république du Theatre

Les Echos

Philosophie Magazine

Inferno Magazine

La Parafe

Théâtre du Blog

Toute la culture

Culturopoing

 

 

Atelier #51 Die Plattform für neue Kunst und Choreographie

Atelier #51 Die Plattform für neue Kunst und Choreographie

 

Since 2002 PACT Zollverein has, in the framework of the ATELIER series, offered emerging and established choreographers, dancers, performers, fine artists and musicians from NRW, Germany and abroad a chance to present their work to the general public during a shared evening length programme. Each ATELIER edition gives rise to a hybrid programme featuring performance, art exhibits, music, dance, film, readings, photography, theatre, lectures and video art. Held throughout the building, the next edition will be on the 6th of December. Both completed works as well as projects under development are welcomed from artists working in all disciplines.

I’m going to be presenting with Ben. J Riepe Kompanie after two intensive weeks of research residency. Come If you are around!! WORTH IT!

 

Artists of the present Atelier Edition:

Henri Hütt (Rakvere, Estland)
Darsha Hewitt (Montreal, Kanada)
Alexandre Achour (Berlin)
Ben J. Riepe (Düsseldorf )
Aeran Kim (Düsseldorf )
Verena Friedrich (Köln)
Jan Rohwedder /Miguel Álvarez-Fernández
(Düsseldorf /Madrid)
Miriam Hüning (Essen)
Miriam Jakob (Berlin)
Lonski & Classen (Berlin)

FRIDAY 6th of  December 2013

Entrance is pay what you like at the box office. Installations and exhibits are open from 19h. The stage programme begins at 20h

PACT Zollverein
Bullmannaue 20a
D-45327 Essen
Fon +49 (0)201.289 47 00
info@pact-zollverein.de

More info:

Pact Zollverein

Ben. J Riepe

 

 

4

“Giudizio, Possibilità, Essere” by Romeo Castellucci

 

Màntica 2013 Festival
Performance, music, critics and workshops

 

Cesena

from the 18th until the 27th of October 2013

 

Giudizio, Possibilità, Essere by Romeo Castellucci

with Chiara Causa, Silvia Costa, Laura Dondoli, Irene Petris

and with the participation of: Aglaia Mora, Carolina Cangini, Chiara Montalbani, Elisa Menchicchi, Evelyn Facchini, Ilaria Dalle Donne, Luna Bendandi, Nuvola Vandini, Rosabel Huguet, Viviana Mancini

 as part of the theater season of the Teatro A. Bonci in Cesena

The words that Hölderlin has entrusted to Empedocles, the heretic who leaves the city to go up the mountain and throw himself into the fire of being, resonate in a gym, as the most proper place to bring the voluntary act of poetry. Watching the sequence of an abstract exercise, a elliptical silent gesture that cuts the air, or listen to the articulation of a verse as a statement, it will mean contemplate an empty space. Achieving a space without content, as a place of revelation, out of the theater, to find the own theater.

18, 19 October at 20:00h and 20 October at 17:00h

place: La Palestra G. Spinelli (ex GIL), Cesena (Italy)

 

more information:

www.raffaellosanzio.org

 

Theater Venice Biennale / Romeo Castellucci

Biennale di Venezia // Theatre 2013

I have the pleasure to participate on the Biennale College – Theatre 2013, we will be performing on

Friday, 9th August

7:00 pm /  20:30pm / 22:00pm – Tese dei Soppalchi

ROMEO CASTELLUCCI

Natura e origine della mente (30’)
concept and stage direction Romeo Castellucci

with Silvia Costa
and the participants to the worshop:

Michele Balducci, Tanya Beyeler, Gemma Carbone, Ilaria Dalle Donne, Gloria Dorliguzzo, Lisaboa Houbrechts, Rosabel Huguet, Zuzana Kakalikova, Gloria March, Lorenzo Massimiano, Aglaia Mora, Irena Radmanovic, Ines Roessl and Elena Strada.
sound technician Matteo Braglia
production Socìetas Raffaello Sanzio, Théâtre de la Ville-Paris
in collaboration with la Biennale di Venezia
//////////////////////////////////////
The 42nd International Theatre Festival will run from 1st to 11th August 2013, directed by Àlex Rigola. The Festival will feature some of the best pièces of the international and the Italian scene, as well as meetings and conferences with relevant personalities of today’s international theatre.

Biennale College – Theater 2013

A project by Àlex Rigola

The Biennale di Venezia has renewed its mission in every one of its fields. In addition to its work to promote knowledge among the wider public (Exhibitions and Festivals) it has developed a strategic programme for training young artists. Known as the Biennale College, it is operative in the field of Dance, Music, Theatre and Cinema, promoting young talents by offering them the opportunity to work side by side with the masters, to develop “creations”. This is the spirit of the Biennale College, a well-equipped bridge that allows young people who wish to engage in one of the arts to do so in the best conditions that an international institution can offer.

more info here!!

www.labiennale.org

_MG_0025

by luca del pia

by luca del pia

by luca del pia

 

by luca del pia

by luca del pia

Nature Theater of Oklahoma / Episode 2

Nature Theater of Oklahoma

Looking forward to be on Stage with the Nature Theater of Oklahoma and to meet you there!!!

Life and Times

Everything started with a simple question: Can you tell me the story of your life? Directors Kelly Copper and Pavol Liska asked company member Kristin Worrall to tell them her life story over the telephone. It lasted sixteen hours. Without editing or corrections, these telephone calls became the libretto for “Life and Times,” an epic and biographical saga in ten parts. Word for word, memory for memory, the Nature Theater of Oklahoma narrates, over ­successive evenings or in a several-hour marathon, the life of a middle-class woman in her mid-thirties from an American suburb. A life that is interesting because it is everything but unusual, and is therefore like your own. Poetic, witty and as sophisticated as it is obvious, “Life and Times” gives us the chance to observe our own lives from another point of view. The formats and genres are also constantly changing, just like in real life. Here it is a mixture of musical, dance, thriller-melodrama, animated film, book, and radio show.

 Episode 2

The changing body, the first crush, the first cigarette smoked in secret – in Episode 2, the monumental epic turns to the beginning of puberty. The body becomes a battlefield, and life becomes a brutal, hazy disco, where the attempt to be cool collides on the dance floor with awakening desire. In the style of a 1980s pop musical, the performers sing, talk and dance about peer pressure, school problems, wanting to belong, and being excluded. Unedited, including all mistakes, ums, and ahems, the libretto was completely composed using the hobby music application Garage-Band.

English with English and German subtitles

120 min 

Concept/ Direction:

            Pavol Liska, Kelly Copper

With:

Ilan Bachrach, Asli Bulbul, Elisabeth Conner, Gabel Eiben, Daniel Gower, Anne Gridley, Robert M. Johanson, Matthew Korahais, Julie LaMendola, Kristin Worrall

 Music:

Robert M. Johanson, Julie LaMendola

 Costumes:

Peter Nigrini 

Production Manager (NTOK):

Dany Naierman

Audio Engineer:

Daniel Gower 

Project Manager & Chorus Director:

Nora Hertlein

 

Produktion: Nature Theater of Oklahoma und Burgtheater Wien. Koproduktion: Kampnagel Hamburg, Festival d’Avignon, Théâtre de la Ville (Paris), Kaaitheater (Brüssel) und Rosas (Brüssel). Mit Unterstützung von: The New England Foundation for the Arts’ National Theater Pilot, mit Hauptförderung durch die Andrew W. Mellon Foundation.

 

More info:

Hebbel am Ufer Berlin / HAU