Karlheinz Stockhausen (1928-2007)
Freitag aus Licht (1991-1994)

Friday from Light is the opera of temptation:  the temptation is to use the body as if it were a musical instrument, the temptation to turn one sound into another.  A special interest for Karlheinz Stockhausen is the focus on the way sound moves through space, creating mobile sound in relief.

Freitag features three musical dimensions:  the first, Weltraum, is a composition for electronic music by Karlheinz Stockhausen which he produced in his studio.  The second has twelve scenes of ballet performed by twelve pairs of dancers dressed up as everyday beings and objects.  The third has dramatic action involving the main characters in the libretto and their respective children.


Freitags-Gruss | Friday’s greeting

Large flames lighting up the foyer are from candles that gradually melt away.  The electronic music of Weltraum can be heard not only in the foyer, but also in the auditorium.

Acts 1 and 2: Freitag-Versuchung | Friday’s Tempation

Eve and Ludon (a new personification of Lucifer) meet, and Ludon offers her the hand of his son, Caino, but she hesitates.

Soon after, Eve, while walking with her children who form an orchestra, runs into Ludon with his children who form a choir. The two groups play, one after the other, and Ludon suggests to Eve that the choir and orchestra play together.

Eve agrees, and the children play a tutti.  Ludon goes over to the choir and sings with them.  When Ludon and Eve are left by themselves, Eve finally agrees to wed Caino. 

The next scene occurs at night.  A lake can be seen shimmering in the moonlight.  Eve meets Caino and, in union, they sing a sensual duo.  Eve leaves him, sailing away on a ship;  a red comet crosses the heavens;  and Michael, betrayed, utters a heart-rending cry.

A battle is being waged between Ludon and Eve’s children;  some fall down wounded.  Just as Eve’s children appear to be winning, a flying rhinoceros comes to the rescue of Ludon’s children.  They all disappear in great commotion and fury.

Eve while praying, sees a vision of Michael, then, further in the distance, a divine light.

Freitags-Abschied | Friday’s Farewell

As was the case for Friday Greeting, the work Weltraum can be heard in the foyer and other parts of the building.  The audience walks out into a strange orange-tinted haze.


Le Balcon
Children orchestra of Conservatoire à Rayonnement Régional de Lille
Choir: Maîtrise Notre-Dame de Paris
Maxime Pascal, musical direction
Silvia Costa: stage direction, scenography
Rosabel Huguet Dueñas, stage direction assistant
Elena Zamparutti, scenography assistant
Bianca Deigner, costume designer
Domitile Guinchard, costumes assistant
Bernd Purkrabek, light designer
Florent Derex, sound projection
Augustin Muller and Étienne Démoulin, electronics
Emilie Fleury, children choir’s conductor
Alain Muller, singing coach

Jenny Daviet: Eva – soprano
Halidou Nombre: Kaino – baritone
Antoin HL Kessel: Ludon – bass
Charlotte Bletton, Lufa – flute
Iris Zerdoud: Elu – bassethorn
Sarah Kim, Haga Ratovo, Synthibird – synthesizer
Rosabel Huguet Dueñas (the arm), Suzanne Meyer (the mouth), Jean-Baptiste Plumeau (the leg) – dance

Singers: Emmanuelle Monier, Pauline Nachman, Marie Picaut, Michiko Takahashi, Léa Trommenschlager, Ayako Yukawa, Frédéric Albou, Arthur Cady, Bertrand Bontoux, Jean-Christophe Brizard, David Colosio, Florent Martin

Demiurge Children: Colette Verdier, Marin Rayon, Alexis Mazars, Stéphane Poulet, Edgar Cemin, Arsène Jouet

Production Opéra de Lille, Le Balcon in co-production with the Festival d’Automne à Paris & the Philharmonie de Paris


Le Balcon

Opéra de Lille

Festival d’Automne à Paris

Silvia Costa

Pictures by © Simon Gosselin